Thursday, 16 November 2017

Orelsan: Tout va bien

A new video for the track Tout va bien by Orelsan, from his recently released La fête est finie, a
collection that looks like being one of 2017's key releases.

The track was co-produced with Stromae, the video reflecting perhaps a more thoughtful and reflective tone. Stromae, one of the biggest names in francophone rap, has been quiet recently due to health issues, but his presence is on both this track and on the track La pluie.

La fête est finie is Orelsan's third solo album. He resumed his career as a solo artist after working again as half of Casseurs Flowters. The track Basic introduced the album in some style, its video like the one for Tout va bien shot in Ukraine.

The new album has been the biggest selling release of his career so far. Basic has had over 30 million views on YouTube so far. While Tout va bien might have some work to catch up on this total, it's certainly an impressive piece of work in its own right.

Orelsan has got dates in arenas around France and bordering countries from February, and has a gig at the AccorHotels Arena in Paris on March 15

Hollydays: Léo

A very psychedelic flavoured video by the duo Hollydays for the track Léo.

Hollydays, a duo of Elise Preys and Sébastien Delage, recently signed to Polydor in France, are a duo who have been working together since 2014.

They released an EP in 2015, Les insatisfaits, a classy five track affair that followed Les Animaux the previous year.

I featured them in this blog in 2015, and it's encouraging to see their talent being recognised. They've got the potential to make a considerable commercial impact, and to hopefully continue to do some interesting things.

Hollydays release a four-track EP in January.

Wednesday, 15 November 2017

Moodoïd: Reptile

With my focus being elsewhere last month I missed mentioning the new track by Moodoïd, one of
this blog's favourite acts to emerge in France over the past few years.

Moodoïd, featuring Melody's Echo Chamber guitarist Pablo Padovani, made an impact with their Je suis le montagne and De folie pure singles, their reputation cemented by their Le monde Möö album in 2014.

They're also a convincing live act, I was delighted to have the opportunity see them at the Transmusicales festival in Rennes.

Reptile continues the funk flavoured strangeness mission made explicit with their Au Pays des Merveilles de Juliet cover released earlier this year.

The new track is something that wouldn't be out of place on Prince's Around the world in a day album.

Moodoïd play in Paris at the Inrocks festival at La Gaîté Lyrique on November 25.

Nolwenn Leroy: Quelque chose de Tennessee

Ahead of the release later this week of a various artists tribute album to French rock legend Johnny Hallyday, a clip of Nolwenn Leroy performing her version of the Hallyday classic Quelque chose de Tennessee has emerged.

It's more or less the title track of the collection, named On a tous quelque chose de Johnny, which features contributions from a cross-generational collection of artists including Thomas Dutronc, Florent Pagny, Benjamin Biolay, Calogero and Patrick Bruel.

Some of Johnny's best known works feature, including Noir c'est noir, Ma gueule, Marie and Que je t'aime.

This kind of album has been a fairly constant feature of the release schedule in the run up to the Christmas season, with collections in recent years featuring work originally by Telephone, Daniel Balavoine, Jacno and - probably the most commercially successful - Jean-Jacques Goldman.

Some have been better than others, most stick to a pretty successful commercial format - get some young reality TV stars to perform a song by an act from a previous generation - and it's an item for fans of the young acts or for fans of the older act curious to hear the new versions.

Leroy's no stranger to the works by the Grand Fromage of French rock, and has performed alongside him repeatedly over the years. She appeared with Johnny during the 2002 season of Star Academy she later went on to win, and has since  featured on other TV shows alongside Johnny.

With a cast featuring some of France's big name recent pop stars and a heritage,  reputation and fan following as large as Johnny's, the only surprise is that this hasn't been released already.

Monday, 13 November 2017


London hosted this year's edition of the MTV European Music Awards at the weekend, one of the biggest budget music award ceremonies on the continent.

The focus, being MTV, was firmly on the north American and UK music world, with three awards going to Canada's Shawn Mendes - Best Artist, Best Song and Best Fans. Kendrick Lamar  took best video award for Humble, and Dua Lipa the best breakthrough act.

Coldplay, 30 Seconds to Mars and Eminen picked up the best rock act, best alternative and best rap act awards.

However, the Best Electro award went to France's David Guetta, who performed a set in London's Trafalgar Square after U2, recipients of this year's  MTV EMA Global Icon Award,  played there.

Elsewhere the Best French Act award went to Amir, who picked up the award for the second year in a row.

French-born Amir originally competed in the Israeli version of the TV show Pop Idol in 2006, before eventually signing to a French label. He competed in The Voice: la plus belle voix in 2014/15, finishing third.

He went on to represent France in Eurovision in 2016, releasing his second album Au cœur de moi, a double platinum seller in France. This year his single États d'Amour was released in September, his new album Addictions released at the end of October.

Bataclan anniversary

It's two years on since the Bataclan atrocity, and while coverage of the event moves quietly from music sites to a few paragraphs on news sites alongside a picture of the president as just another routine ceremonial political event, it's worth reflecting for a second on what happened.

Ninety people died at the Bataclan, in a night that saw a total of 130 people killed. It was the worst terrorist attack ever on French soil, and anyone who ever read a music blog, went to a gig or was moved by music could have been in that audience.

That it was the Eagles of Death Metal mattered not at all.  Those behind the atrocity did not discriminated on musical genre, style or artistic merit. Nor did they discriminate on ethnicity, race, country or ideology.

There remains a debate as to whether or not it's appropriate for bands to have played the Bataclan  following what happened. Personally, I think to have closed the venue would have seemed a victory to those who perpetrated the violence.

It's not dancing on the graves of those who died. No one could attend the Bataclan unaware of what happened there. And to go the Bataclan, to celebrate live music, art and culture, to dance, to be happy and free however briefly from the worries of everyday life remains a pretty positive act of defiance against those who would rather see us dead.

Thursday, 9 November 2017

Rone: Mirapolis

A new album by French electronic artist Rone is something worth celebrating. Mirapolis comes three
years after his Creatures album, a favourite of this blog.

Mirapolis features contributions by a wide variety of artists including Baxter Dury, John Stanier from Battles,  Kazu Makino from Blonde Redhead and Bryce Desser from The National who appeared on Creatures.  Cellist Gaspar Claus makes a repeat appearance. The cover was designed by French film director Michel Gondry.

 Creatures was, to these ears, a work that took contemporary French electronic music to another level, and Mirapolis looks set to do much the same. It's a work that reveals more depth and colour with repeated listening. Expect to see it on a few 'album of the year' lists over the next few months.

Rone played at the Pitchfork Music Festival in Paris, where he played at the Grande Halle de La Villette last week. His set's available to watch thanks to the good people at Culturebox.

Rone plays in London at the Steelground on Saturday.

Wednesday, 1 November 2017

Editorial: November 2017

So last month wasn't exactly a success in terms of writing content for this blog. Onwards and upwards.

November sees the new release by MC Solaar at the end of this week after a ten year absence. He's already confirmed a series of live dates for next year to follow up the release.

Last month saw the return of Orelsan, with La fête est finie reaching number one in the charts, a release that looks like the biggest seller of his career so far.

This weekend also sees the NRJ Music Awards 2017, perhaps France's most mainstream music award, and one that normally sees non-French acts dominate the headlines, but it's always interesting to see the results.

So a promise to do better this month, and this time we mean it!

As always, you can contact us at johnkilbrideAThotmailDOTcom, with the appropriate punctuation where you'd expect it to be.

I'm always pleased to hear from record companies, PR companies and promoters, so do drop me an email. I'm always keen to hear new things, and relay information about acts I already know and love.

The blog is also on Twitter as @viveleroq, although that's pretty much just an autofeed when we update with a new article. You can usually find me on my personal Twitter account quicker, @karnag

If you're around Facebook, remember to like the French Music Podcast UK page, where you can get regular updates with both fresh and vintage French music.

Thanks as always to the good folks at Oui Love Music From France .

Merci et à bientôt,

John K

Monday, 2 October 2017

Editorial: October 2017

Finally a busier month here on the Vive Le Roq blog as we move towards a more regular service again.

September was our busiest month so far this year for posts, a good thing, but still well behind where we should be, and where we've been in previous years. So onwards and upwards and into the closing months of 2017, with a flurry of activity and a huge number of interesting releases.

September saw a huge number of French music related events in the UK and beyond, from Justice in London to a significant Francophone presence at the Liverpool International Psychedelic Festival.

This month sees Lou Douillon playing in Sheffield among other live highlights of the weeks ahead. There are also some significant new releases on the cards, including the new offering from OrelSan, following the release of his astonishing new video.

There's also a new album from Charlotte Gainsbourg out in early November, so we can hopefully see some more activity from her in the forthcoming weeks.

As always, you can contact us at johnkilbrideAThotmailDOTcom, with the appropriate punctuation where you'd expect it to be.

I'm always pleased to hear from record companies, PR companies and promoters, so do drop me an email. I'm always keen to hear new things, and relay information about acts I already know and love.

The blog is also on Twitter as @viveleroq, although that's prety much just an autofeed when we update with a new article. You can usually find me on my personal Twitter acount quicker, @karnag

If you're around Facebook, remember to like the French Music Podcast UK page, where you can get regular updates with both fresh and vintage French music.

Thanks as always to the good folks at Oui Love Music From France .

Merci et à bientôt,

John K

Friday, 22 September 2017

Charlotte Gainsbourg: Deadly Valentine

Another new track by Charlotte Gainsbourg ahead of he relase of her new album later this autumn, with a video for the track Deadly Valentine.

The title track of the new collection, entitled Rest, came out earlier this month.

Charlotte's been busy with her film career over the past few years, and hasn't released an album since 2011's Stage Whisper collection of live material and out-takes.

Rest features collaborations with Paul McCartley, Daft Punk's Guy Manuel de Homem-Christo and Connan Mockasin and is released on November 17.

Thursday, 21 September 2017

Marietta: Nos Ventres Nus

There's a chance to see one of France's most interesting developing artists in London tonight, with Marietta
one of the acts on the bill at Birthdays in Dalston.

Marietta is a project that revolves around singer songwriter Guillaume Marietta.

The clip comes from his second album, La Passagère, which  was released last Month on Born Bad Records, the label wihich is also home to some of France's most colourful and interesting acts of the moment such as La Femme and Orval Carlos Sibelius.

It follows his 2015 debut Basement Dreams Are The Bedroom Cream, albeit it with a  bigger budget than that album's lo-fi handmade production. Despite being performed in French, La Passagère was recorded in the USA.

Marietta play live in London tonight as one of the acts on the bill of the latest Oui Love club event at Birthdays in Dalston, alongside Aquaserge and Dead Sea.

Dead Sea: Lotion

A striking video from Dead Sea for the song Lotion, originally released in May.

It's a dark and hypnotic work from the Paris-based four piece, with the kind of video David Lynch might have made were steeped in eastern European modernist architecture and design.

They describe what they do as 'turbo chillwave', and that sounds fair enough to us.

It follows their debut track 8.50 that emerged earlier this year.

Les Inrocks rate Dead Sea as one of the key new French acts worth following at the moment. they supported UK showgaze legends Slowdive at a show in Paris last year.

Dead Sea play live in London tonight as one of the acts on the bill of the latest Oui Love club event at Birthdays in Dalston, alongside Aquaserge and Marietta.

Wednesday, 20 September 2017

OrelSan: Basique

A new clip from French rapper OrelSan, announcing the release of a new solo album.

The video for Basique was shot on a partially-constructed bridge in Ukraine with the help of a drone. It's quite a piece of work and was directed by Greg&Lio who have previously worked with Jain and with Orelsan's Casseurs Flowters project.

Orelsan hasn't released a solo album since 2011's Le Chant des Sirènes, a top three seller in France. It went on to win best urban album of the year Victoires de la Musique award the following year, OrelSan also picking up the breakthrough artist of the year award that year.

Since then he's been concentrating on his work with Casseurs Flowters, the duo of OrelSan and Gringe enjoying massive success in France with two albums and a film so far.

Orelsan's success has not been without controversy, with accusations of misogynist and homophobic lyrics over the years. His work with Casseurs Flowters has probably helped with his critical and popular rehabilitation, the stripped down rap he delivers for Basique seems to target those who he believes have failed to understand his work.

Orelsan's album is released on October 20.

Oui Love Psych Made in France

There's a pretty special gig in London tomorrow, with three of France's contemporary psych acts taking tothe stage of Birthdays ahead of the Liverpool Psych Fest at the weekend.

Aquaserge, Makietta and Dead Sea are the acts performing in Dalston, all much rated by this blog.

The event is being held by the good people at Oui Love Music Made in France, in partnership with Rockfeedback and The Line of Best Fit.

It's the third time Oui Love has been held this year, and it's developing into a well-curated showcase for French acts in the UK.

France has been a fertile ground for fine psych acts in recent years, and the chance to immerse yourself in three of then is an opportunity not to be missed.

Tuesday, 19 September 2017

Francis Cabrel: Le Fils unique

Francis Cabrel is marking the 40th anniversary of his career with the release of two previously unreleased songs, and the release of his back catalogue on streaming platforms.

Cabrel has always been a principled artist, and had for a long time refused the use of his music on online streaming platforms, and only this week confirmed his change of heart.

He announced his back catalogue would be available to listen via streaming on September 18, the 40th anniversary of the release of his debut album Les murs de poussière, a collection that featured his top five hit single Petite Marie.

Cabrel's gone on to release 13 studio albums and half a dozen live collections in his career so far, and written some iconic modern chanson works including Je l'aime a mourir and Je t'aimais, je t'aime et je t'aimerai. His most recent studio album was 2015's In extremis, a follow up to 2012's album of Dylan covers Vise le ciel.

Cabrel's initial decision to prevent the release of his material on streaming sites was down to a number of reasons, he told le Parisien, including the fact that he ragarded the sound quality as inferior to CD, that artists - particularly young artists - were not getting sufficient renumeration and that streaming was slowing the sales of albums.

But his opinion changed on seeing his own children's use of streaming as a means to consume music, and his own subscription to a streaming service saw him realise how practical it was. He could access new releases when they came out, he could download then as he would a newspaper, and appreciated how it could actually encourage those who loved music to buy a CD.

Two new previously unreleased songs have come out to mark the occasion, and a new album from Cabrel is expected some time next year.

Monday, 18 September 2017

Moodoïd: Au pays des merveilles de Juliet

Delighted to report a new release by Moodoïd, to these ears one of the most important acts in France's fertile psych scene.

Pablo Padovani from Moodoïd was previously guitarist with Melody's Echo Chamber, one of the acts that helped bring France's  new psychedelic acts to the world's critical attention.

I've been a fan of Moodoïd since before the release of their 2014 debut Le Monde Möö. Their work has consistently surprised, shot through with a playful strangeness that refuses to be easily constrained by genre conventions.

Their album had flavours of jazz, Bollywood, electro and funk, a widescreen and technicolour creation with more creativity and adventure in one album than many artists manage in their entire career.

The new track is a very disco informed cover of Au Pays des Merveilles de Juliet, the title track of a 1973 album by Yves Simon. While making an instantly approachable track, Moodoïd keep the strangeness of the track to the fore.

Padovani's continuing to release surprising work, and it bodes well for future Moodoïd material. fingers crossed we won't have to wait too long.

Moodoïd play La Gaîté Lyrique in Paris as part of Les Inrocks Festival on November 25.

Friday, 15 September 2017

Lescop: Live in London

I've been a fan of Lescop since before his 2012 debut album, the artist known to his family as Mathieu Peudupin delivering a work that was as modern as it was steeped in the classic cold wave environment of the 80s.

So delighted to see he's got another show in the UK tonight, only a short time after he played here over the summer.

His second album Echo, released last year delivered on the promise of his debut, establishing him as one of France's most distinctive acts. Sophisticated and intelligent, but with an immediate accessibility.

You could reference the likes of French heroes like Daniel Darc or Jacno in relation to Lescop, or you might even recall some of the post-punk work done by Iggy Pop in the early 80s.

He's playing in London again tonight as the closing show of a series of autumn dates that quickly followed his summer festival engagements across France.

Lescop plays the Lexington tonight, with support from C.A.R and tickets are available here.


Thursday, 14 September 2017

Rone: Brest

A new track by French electro pioneer Rone, ahead of the release of a new album later this autumn.

Brest continues his groundbreaking electronic work that began in 2008 and has seen him become one of France's most respected artists.

While perhaps not as commercially orientated as other French artists, he's gained some serious critical praise for his music, at times as close to modern classical as it is to the dancefloor.

Last year Rone collaborated with Jean-Michel Jarre on his Electronica 2: The Heart of Noise album alongside other collaborators ranging from John Carpenter and the Pet Shop Boys to Sébastien Tellier and Christophe.

Brest comes from Rone's forthcoming fifth album entitled Mirapolis, which is due to be released on November 3. The much-anticipated follow up to his 2015 Creatures album is released on Infiné Music.

Rone plays live across france and neighbouring countries in November and December and is in Paris at the Trianon on December 13.

BogZH Celtic Cats: Kazh ar Lagenn EP

We've  not been at our best in flagging up the developing French talent in recent months, due to inactivity on our part rather than the lack of interesting acts out there for sure.

BogZH Celtic Cats have a short video ahead of the release of their forthcoming six track EP, featuring a cover of the Dropkick Murphys' Prisoner Song, Scottish rebel favourite Ye Jacobites by Name and a couple of their own rousing numbers.

I've always loved French celtic music, maybe it's because I'm based here in Scotland and it seems a solid cultural link between our countries. Maybe just that celtic music really does sounds great in a rough rock setting.

I featured Daonet, the band that included some of the members of BogZH Celtic Cats way back when this blog was young. Good to see them getting on and releasing the kind of material that we need to hear more of.

Wednesday, 13 September 2017

Charlotte Cardin: Main Girl

Charlotte Cardin is a Canadian artist who has been making an in impression in France, particularly with the song Main Girl, the title track from her recent EP.

The Montreal-born former model appeared on The Voice in Canada in 2013 and made it to the finals. She went on to guest on Garou's Au milieu de ma vie album, duetting  on the song Du vent, des mots.

Last year she released her debut solo EP Big Boy, featuring lyrics in English as well as French.

Main Girl features on her six track EP of the same name that was released at the beginning of this month.

With a soulfulness that belies her youth, Charlotte Cardin has the kind of voice that we'll be hearing a lot more of in the months and years to come.

Charlotte Gainsbourg: Rest

A new track by Charlotte Gainsbourg is always going to get our attention, especially when it's a track involving Daft Punk's Guy Manuel de Homem-Christo.

The light electro backdrop he creates is a perfect stage for Gainsbourg's distinctive vocals.

The song Rest comes from her forthcoming fifth album, her first since 2011. As well as Daft Punk, the cast of guests includes Paul McCartney, Owen Pallett, and Connan Mockasin.

Her last collection was 2011's Stage Whisper album, a double album that featured out-takes from her IRM album and a live set.

Since then a cover of Hey Joe, for the Nymphomanic soundtrack, is all that she's released since.

Still, given that there was 20 years between her Charlotte For Ever debut and her 5:55 second album, it's really not been that long a wait.

In recent years she's maybe been concentrating more on her acting career than on her musical output. Given the career she's had, you can't blame her. Her father worked with film throughout his career but never attained the level of artistic and critical success that Charlotte has enjoyed, with César and Cannes awards to her name.

The next chapter in her musical career  is expected to be released on November 17 on Because Music.

Thursday, 7 September 2017

MC Solaar: Sonotone

A welcome return from French rap legend MC Solaar, with the track Sonotone emerging ahead of his forthcoming new album.

It's ten years since he released his Chapitre 7 album - a top ten release in France - almost a lifetime in rap music.

But timne has not diminished him, and Solaar sounds on form here, his new track still featuring the urgency and the intelligence that has made his work appreciated well beyond the French rap world.

The video makes nods to some of his previous work, Solaar's been a major star since the early 90s and was one of the pioneers to establish rap music in France with his early hit Bouge de La, 1997's Paradisiaque album reaching number one in France.

Solaar's new album Géopoétique is expected in November.

Wednesday, 6 September 2017

Yan Wagner: It Was A Very Good Year

A new video from Yan Wagner, with the track It Was A Very Good Year featuring on his second album This Never Happened.

It's a cinematic and disturbing video for this moody piece of electro showcasing his dark crooning perfectly. If Scott Walker ever fronted a particularly melancholic Kraftwerk it might sound a bit like this.

It is a song made famous by Sinatra which has been covered by dozens of other artists since, from Robbie Williams to the Flaming Lips. Maybe best to ignore William Shatner's cover of it.

Yan Wagner's album came out earlier this month, a follow up to his widely acclaimed debut Forty Eight Hours which came out in 2012 and it's his first release on new label Her Majesty's Ship.

Expect it to be mentioned again by many others as one of their highlights of 2017 before too long.

Editorial: September 2017

A quiet month from us last month, despite quite  a lot going on. This month we'll endeavour to make amends, and we will actually post a lot more than we managed over the last four weeks. It is La Rentrée after all.

Plenty happening over the next few weeks, with some releases, tours and the last of this summer festivals, September seeing the Fête de l'Humanité run over three days from September 15-17.

Later this month three fine acts are playing in London under the Oui Love banner, with Aquaserge, Marietta and Dead Sea playing on September 21 at Birthdays.

Psych Made In France also features in the bill for the Liverpool Festival of Psychedelia, with Laetitia Sadier, Acid Arab, as well as Aquaserge making another UK appearance.

Acid Arab also have a show in London at the Jazz Cafe on September 23.

As we move towards the run-up to Christmas, record companies are preparing a ton of releases and we'll be across what comes out.

In the meantime,you can contact us at johnkilbrideAThotmailDOTcom, with the appropriate punctuation where you'd expect it to be.

I'm always pleased to hear from record companies, PR companies and promoters, so do drop me an email. I'm always keen to hear new things, and relay information about acts I already know and love.

The blog is also on Twitter as @viveleroq, although that's prety much just an autofeed when we update with a new article. You can usually find me on my personal Twitter acount quicker, @karnag

If you're around Facebook, remember to like the French Music Podcast UK page, where you can get regular updates with both fresh and vintage French music.

Thanks as always to the good folks at Oui Love Music From France .

Merci et à bientôt,

John K

Monday, 7 August 2017

Vive le Fringe: The Institut Français d’Ecosse at the Edinburgh festivals

For the month of August, Edinburgh becomes the centre of the UK's cultural  and artistic world, with
the Edinburgh International Festival and the Edinburgh festival  Fringe taking place in the city. Thousands of events are being held at venues from the grand to the makeshift, and shows ranging from undergraduate student performances to events featuring some of the world's biggest artists.

While there is, as always, a significant French presence in Edinburgh at this busy time, the Institut français d’Ecosse again plays a starring role in giving a French flavour to events in the Scottish capital.

This year's programme at the IFE includes theatre, music and author events, but there are three shows central to their programme.

An adaptation of Marguerite Duras' work La Maladie de la Mort by Poitiers based Collectif Or Normes features dance, electonics and theatre.

Lost in Translation: A Bilingual Journey by Théâtre sans Accent is a theatrical exploration of language through the experiences of one girl, in French, English, Gaelic and Occitan.

The IFE is set to moves to new premises shortly, with the historic Lothian House in the centre of the Old Town becoming home to not only the IFE but also the French consulate, an auditorium and an exhibition space, language school and library. It will be a significant French presence at the heart of Scotland.

This building hosts a show by Erwan Keravec and Mickaël Phelippeau entitled Membre fantôme, a show that sees the piper and the choreographer reflect on the idea of identity in art.

Beyond these shows, the IFE's programme also includes a light and music installation by Heather Lander and Robert Bentall, while the Edinburgh International Festival includes clasical performances by François Leleux and Eric Le Sage and a performance of La Damnation de Faust at the Usher Hall.

With the IFE set to take a more visible part of Edinburgh and Scotland's cultural landscape, we can hopefully expect more events in the very near future cementing the historic links between France and Scotland that go well beyond the Edinburgh festivals season.

Saturday, 5 August 2017

Scotland at the Festival Interceltique de Lorient

This weekend sees the Festival Interceltique de Lorient event take place in the Breton town, one of the biggest celtic music events in the world.

It's a surprise to some that such a large-scale celebration of celtic music takes place in France, rather that Ireland or Scotland, or even Canada, all places that could with some justification claim to be at the centre of contemporary celtic culture. But France's celtic heritage is something that the country is proud of, and not just in Brittany.

This year's Festival Interceltique de Lorient places the focus on Scotland. Runrig, Altan, Amy Macdonald and Capercaillie are among the dozens of of acts performing over the weekend. 

There are also dozens of French celtic acts from crossover celtic rock/folk to more traditional choirs and pipe bands, from Brittany and elsewhere.

A parade of the celtic nations on Sunday serves as a centrepiece of the event, attracting thousands of artists and spectators to the streets of the town.

While the festival's been running since 1971 and regularly attracts some of the biggets names in the genre, it's more than just a showcase for a genre of music.  It's a major part of Brittany's celtic culture and acts as a catalyst. It's a celebration where artists can not only find an audience but also meet and collaborate. Where the audiences can also learn and get involved in discovering their own relationship to celtic culture.

It's an inclusive, outward looking and international event, very much in the spirit of the music it celebrates which has spread its influence around the world far beyond the shores of the celtic nations.

Tuesday, 1 August 2017

The return (?) of Manau

I was delighted to see the news a couple of days ago that French celtic rap act Manau are set to return
with a tour next year to mark the 20th anniversary of the celtic hip hop act that became one of France's biggest sellers in the late 90s.

Formed in '98, Manau had massive hit singles with La tribue de Dana, their first release, and Mais qui est la belette?, tracks that took Breton and celtic legend and looked at them through the lens of contemporary street culture.

The band's debut album Panique Celtique merged rap with celtic sounds from Brittany and picked up a best rap album award at the 1999 Victoire de la musique ceremony and sold over a million copies along the way. It remains a great listen, intelligent and witty, smart and original, an intoxicating potion brewed bu by bards with beats

Initially a trio, after their debut they became a duo of Martial Tricoche and Cédric Soubiron after RV Lardic quit.

Cédric Soubiron has had a tough time with health problems and debts over the years, leading to his eventual leaving the band. Recently he's begun working as a stage actor in Paris while remaining on good terms with Tricoche, who remained the last member of the band's central trio still at the mic under the Manau name.

So 2018 sees a return of sorts, although Manau never actually went away. However, some addditional promotion for the band is no bad thing,

Maybe there will be some new material too. Personally I can't wait to hear Le nouveau son de Manau!

Editorial: August 2017

We're quietly getting things back on an even keel here, with a reasonable amount of updates last month despite being on holiday for much of that time.

Of course, August is traditionally the month France shuts down for the summer, with fewer releases and events taking place. But there's no shortage of interesting

While July saw significant festivals pretty much every weekend, from Hellfest to Vieilles Charrues and Les Francofolies de La Rochelle, that continues this month with a number of events from the Festival Interceltique de Lorient to the Rock en Seine festival in Paris at the end of the month.

Other interesting things are in the pipeline, as previews for the key releases for la rentrée emerge over the coming weeks and artists unveil their plans for what is coming up over the next few months, still a key time of year for the music industry.

In the meantime,you can get a hold of me at johnkilbrideAThotmailDOTcom, with the appropriate punctuation where you'd expect it to be.

I'm always pleased to hear from record companies, PR companies and promoters, so do drop me an email. I'm always keen to hear new things, and relay information about acts I already know and love.

The blog is also on Twitter as @viveleroq, although that's prety much just an autofeed when we update with a new article. You can usually find me on my personal Twitter acount quicker, @karnag

If you're around Facebook, remember to like the French Music Podcast UK page, where you can get regular updates with both fresh and vintage French music.

Merci et à bientôt,

John K

Monday, 31 July 2017

Jeanne Moreau RIP

And so another icon of 20th century France passes. Jeanne Moreau, probably the face of the Nouvelle Vague, the French cinema movement that influenced the world, has died aged 89.

Moreau was for many one of France's most iconic actors.

Her music career saw releases from the early 1960s to her work with Etienne Daho in the last decade, a parallel and less-well known career to her screen performances.

A list of the films she starred in reads like the viewing list for a film studies degree in 20th century European cinema, and the names of the directors she worked with looks like a list of the giants of 20th century film.

Friday, 7 July 2017

Festival: Les Eurockéennes de Belfort

Another of France's biggest festivals is underway this weekend, with the four day long Les
Eurockéennes de Belfort event.

With a scenic location and temperatures expeceted to be in the 30s all weekend, it's the kind of event that British festivals can only aspire to be like.

But are there any decent acts on the bill? Funny you should ask!

It's a four-day long event, with proceedings starting yesterday and continuing until Sunday

Yesterday saw the likes of Iggy Pop, Jain and PNL, Today sees Editors and Gojira, La Femme and HF Thiefaine among the dozens of acts scheduled to perform.

Saturday includes Booba and Justice, as well as Vitalic and Dropkick Murphys.Fishbach and HER are also among the acts.

Sunday features Arcade Fire, Phoenix, Royal Blood and Solange.

Plenty of big names, both French and international, for an event thathas become established as one of Europe's key big summer music events.

Thursday, 6 July 2017

Pierre Henry RIP

So farewell Pierre Henry, whose death was confirmed today aged 89.

A giant of contemporary music of the last 100 years, his ideas pushed the boundaries and tested the possibilities like few have done before or since.

It's facile to call him a pioneer of electronic music, there's much more to his work than just that, but it is true to say that his work blazed a trail for generations to follow. His intellectual weigh ensured that electronic music was taken seriously by the musical establishment, rather than just considered a novelty branch of cinematic sound effects which it could easily have been categorised under.

Henry saw the possibilities that were open to music in the 20th century and explored them with curiosity.

La Ferme Electrique festival

Tomorrow sees one of my favourite small festival events take place, with La Ferme Electrique taking place over July 7 and 8 at Tournan en Brie, in the Seine-et-Marne countryside not far from Paris.

Despite its rural setting, it's just an RER ride from the centre of Paris. Free parking, free camping and a two-day ticket that costs less than 30 euros is pretty enticing.

2017 is the eighth time the festival has been held, and like previous years the event has continued to thrive thanks to its innovative programming and a belief in the value of keeping things small and simple.

La Ferme Electrique is actually held in converted farm buildings, with a bar, restaurant, chip shop and pancake place. Nothing grand, but you can bet it will be perfect.

Getting the opportunity to catch some well-chosen emerging acts in a warm and encouraging environment is usually a much more pleasant experience that catching some well-known faces at a corporate enormo-event.

This year's bill incudes Bryan's Magic Tears, Sheik Anorak, Stratocastors and Le VilleJuif Underground among the acts on the Friday.

Saturday has Do The Dirt, En Attendant Ana, Chinese Army, Daikiri, Housewives and Pogo Car Crash Control and others.

It's a varied line up in terms of musical styles, with plenty of talent there to guarantee two memorable nights.

Sometimes you don't need all the facilities of a luxury Glastonbury yurt, just a meadown in France to pitch your tent, with a tap for water and a stall in the morning where you can buy pastries and coffee. Sounds good to me!

Tuesday, 4 July 2017

The return of MC Solaar

Delighted to see the return of MC Solaar, ten years after the release of any significant new material from the pioneering French rapper.

Solaar was in the early 90s an artist who established rap as a serious genre in France, matching sharp lyrics with sounds that were fresh and funky as hell.

His work also had a resolutely French style, shot through with an urban experience that had more in common with les banlieues than the Bronx, and he charted a path others - many with lesser talents - have since followed.

He was also one of the first French rappers to make a mark in the anglophone world.

Solaar's last album was 2007's Chapitre 7, and the annoucement of a new album follows an unreleased track Sentinel Nord emerged earlier this year.

Solaar's new album is due before the end of the year, and a single is scheuled for August.

Monday, 3 July 2017

La Femme at Main Square Festival

The world's certainly become a smaller place in recent years. Not that long ago an event like Main
Square Festival in Arras would have been something of a secret to an anglophone audience. 

Ignored by the music press, the fact that it attracts big names like Radiohead would have been an oddity, obviously just the bands 'warming up' for the proper festivals in the UK.

Besides, don't those European festivals feature those strange eurobands that no-one's heard of? Some of them don't even perform in English...

Thankfully time's moved on, and not only are some of France's festivals reaching out to an anglophone audience but they're making an effort to be not only televised but available to watch online so you can see for yourself what you're missing. And from watching this kind of coverage, who wouldn't want to go to a music festival like Main Square?

The prices compare favourably with the big ticket prices for UK events, the organisation surpasses many of the UK events, the food and drink are a cut above and the weather is almost always better.

This year's Main Square was a three day event at the cenre of the town that featured Radiohead, others included System of a Down, Biffy Clyro and Rag 'n' Bone Man. For those looking beyond the anglosphere, there were Jain, Thylacine and plenty of others, including La Femme, one of the finest acts operating in France at the moment.

La Femme are playing pretty much every summer festival in France over the summer. Even if you just go to see whatever anglo American acts are on the top of the bill, La Femme strongly make the case that there's more going on in Europe than just waiting for the big acts from over here to play over there.

Orval Carlos Sibelius: Ordre et progrès

A new release by Orval Carlos Sibelius with the album Ordre et  progrès, one of my favourite French

It's his fifth album, but for the first time his work is in French. His previous releases saw him perform in English.

If there's been a change in language, the music remains a charming take on modern indie psychedelic, if anything with a more electronic edge to this album than on his previous adventures.

I've been a fan since I came across his 2013 Super Forma album, one of the stand out releases in the contemporary French psych sub grenre that seems to have emerged over the past few years.

It's also his first release on Born Bad Records following the demise of the Clapping Music label behind his previous albums. Born Bad

 Ordre et  progrès is the kind of album that you enjoy on first listen, but find yourself returning to again and again, and each time finding another subtle layer of meaning, another shade of colour. It's a rich and rewarding release that deserves a great deal of attention.

There's a great video for the track Coupure Générale that emerged a couple of month ago ahead of the release of the album. Like the best music videos, it's a simple idea done well.

This weekend saw Orval Carlos Sibelius play at the Europavo festival in Clermont-Ferrand, hopefully with more live dates to come.

Editorial: July 2017

A fresh month at Vive le roq, with summer very much under way.

Last month saw the festival season in France in full force, with events like Hellfest, We Love Green, Main Square and others being held pretty much every available weekend.

This month sees that trend continue, with events like The Eurockéennes de Belfort, Vieilles Charrues and Les Francofolies de La Rochelle on the immediate horizon and Main Square just coming to a close with a set by Radiohead last night.

There are also a number of interesting releases that we'll be taking a look at.

Things are getting back to normal service here at Vive le roq, and we'll be producing more articles in the forthcoming weeks than we've been managing in the past few months.Thanks for sticking with us.

In the meantime,you can get a hold of me at johnkilbrideAThotmailDOTcom, with the appropriate punctuation where you'd expect it to be.

I'm always pleased to hear from record companies, PR companies and promoters, so do drop me an email. I'm always keen to hear new things, and relay information about acts I already know and love.

The blog is also on Twitter as @viveleroq, although that's prety much just an autofeed when we update with a new article. You can usually find me on my personal Twitter acount quicker, @karnag

If you're around Facebook, remember to like the French Music Podcast UK page, where you can get regular updates with both fresh and vintage French music.

Merci et à bientôt

Tuesday, 13 June 2017

Indochine: La vie est belle

A notification from Indochine HQ this week that one of France's biggest rock groups is back in action, with a single, new album and tour on the horizon.

Since the 90s, Indochine have been one of the country's biggest rock acts, with a commercial and artistic credibility that few can equal. It's hard to think of an Anglo equivalent to indochine, the closest would be someone like U2, a post-punk act who went on to fill stadiums, but unlike U2 they never became a parody of what once made them great.

Indochine's last studio album was 2013's Black City Parade, a number one album in France that included the track College Boy, a tarck that showed that even a band that had been around for a few decades was still capable of raising difficult and controversial questions.

Their subsequent tours supporting the album saw them play two shows at the Stade de France, as well as a gig in London. Two live albums, Black City Tour and Black City Concerts documented the dates, both collections reaching the top ten.

So some new materiais quite a big deal, and the band unveiled their new track on prime time French TV show Quotidien avec Yann Barthes.

Their new track La vie est belle come from their forthcoming 13th album, which is due to appear on September 8.

They've confirmed a tour of arenas in France in February 2018, with a show at the Zénith on Paris on February 16 and 17. Tickets go on sale on June 21.

Tuesday, 6 June 2017

Phoenix: Goodbye Soleil

A new video by Phoenix, for the track Goodbye Soleil which sees France's favourite feelgood
indie rockers sing in their native tongue as well as English.

It's a classic summer track and continues the retro Euro dance vibe that their previous single J-Boy and the track Ti Amo explored.

These two tracks along with Goodbye Soleil feature on their forthcoming sixth album Ti Amo released next week.

The band's last album was 2013's bankrupt.

Phoenix are playing pretty much every fesival taking place over the summer. They play Glastonbury at the end of this month, and in France they play Les Eurockéennes,  Vieilles Charrues, Musilac and Beauregard in July

Hugo Barriol: On the Road

Only in France could a performer come quite literally from the underground.

Singer songwriter Hugo Barriol would perform at stations in Paris before winning the Métro Music Award, a music prize for accredited performers on the French capital's transport system.

The award proved a first class ticket for Barriol, who was offered appearances on TV reality music shows as a result. He turned down the opportunities, choosing instead to keep his focus on his solo music career.

The Saint Etienne native says that constantly performing his own work to commuters in the corridors below the French capital helped him to discover his own voice.

The Paris Métro is home to hundreds of talented performers every day, playing every variety of music. The accreditation system ensures that the performers are good enough so they won't put the travellers off their journeys.

The song On the Road is the title track of a six-track EP released on June 16, and he performs a free showcase gig at FNAC Les Halles the same day.

Monday, 5 June 2017

Manchester and London

A weekend of events that again juxtaposes terrorism and music in a way that sees, once again, those who would bring us to our knees only succeed in making us rise up onto our feet.

Our thoughts are again with the victims of these atrocities. After the Bataclan we could only hope nothing like that would ever happen again. 

The memorial concert in Manchester, remembering the victims of the horrific suicide bombing was a triumphant, joyous and colourful commemoration and celebration. It acknowledged the tragedy of what had happened, reflected on it respectfully and with humanity, but it was also true to the youthful and colourful heart of pop music.

It was a difficult balancing act, but one that the event organisers managed with style.

Of course, Sunday's show unfolded in the aftermath of another horrific event in London. Saturday night revellers targeted with brutality and death on the streets of the UK's capital.

London and Manchester are great cities, and two of the musical capitals of the world. Bright and bold places in a world that others would like to see slide into fear and darkness. However hard they try, they will fail, and fail again.

Bands are playing the Bataclan again. Manchester and London can take it. The terrorists can be assured that whatever cause they fight for will be long forgotten before the victims are.

Daesh want us to live in fear, but their failure can be heard in the sound of our children singing along to Ariane Grande.

Friday, 2 June 2017

Festival Art Rock, Saint-Brieuc

There's certainly no shortage of music festivals in France this summer, and June sees events taking place pretty much every weekend.

While big ticket events like Hellfest, Solidays and Main Square attract big names and massive crowds, and are becoming well known to the UK festival goer on account of their value for money and somewhat better conditions that their UK equivalent, some of the smaller event are every bit as worthy of investigating.

One such festival is Art Rock, held in Saint-Brieuc in Brittany, a three-day event that begins today.

On the bill are Julien Doré, La Femme, Cassius, Las Aves and Metronomy. Also playing over the weekend are Agar Agar, Radio Elvis, Paradis and dozens of others.

Many of these are acts I've written about extensively on this blog over the years, it's an impressive line up playing at the venues involved across the town over a packed weekend.

Over and above the musical elements, the event includes art exhibitions, dance and art events in venues across the town.

It's the perfect example of a well-considered line up of acts, combining the more established with the developing artists in an event that gives the audience a weekend immersion in some of the best acts that are currently playing in France.

Thursday, 1 June 2017

Benjamin Clementine: Phantom of Aleppoville

Wonderful to hear a new track by the incomparable Benjamin Clementine with the song Phantom of Aleppoville, his first solo release since his debut album.

It's a dramatic and challenging work by an artist who is probably one of the most unique voices to emerge in recent years.

It is not an easy listening experience, there's something of the 21st century Scott Walker in its range and ambition.

It would be easy - and no doubt profitable - for him to slide into delivering fairly safe jazz/soul material, but he's released something that's far more complex and thought provoking instead.

It certainly bears repeated listening, revealing more each time. I'm excited about what might be coming next.

Clementine, who won both a Victoires de la Musique award the Mercury Music Prize in 2015, also recently featured on the recently-released new album by Gorillaz.

He's playing live this month at a number of festivals in mainland Europe, with a set at the We Love Green festival in Paris next week .

He's recently announced details of a UK and European tour, with tickets going on sale from Friday June 2.

Christine and the Queens: Radio 1's Big Weekend

Nice to see Christine and the Queens make an appearance at the Radio 1's Big Weekend event in Hull.

While very much a showcase for the UK's foremost pop music broadcaster, as commercial a proposition as you could imagine from a public service broadcaster, it was reminder of exactly how far Christine and the Queens have come in the past few years.

It was only a few years ago I was reporting on Héloïse Letissier playing at the Great Escape festival in Brighton, one of many French acts hoping to catch the eye and ear of the UK music business and audience. She managed it in a way few could have imagined.

So a performance at an event that celebrates pop at its most popular gives us the chance to reflect that French acts can take a step from success in their home country to widespread recognition in the UK without compromising their art or the very things that make them the unique artists they are.

More artists will hopefully follow. Given the state of the music industry at the moment, where fewer acts are being signed and record companies can take fewer risks, it makes sense for them to take acts that have already achieved a modicum of success in their home countries and develop them for an international audience.

There are plenty of French acts that could easily follow in the synchronised footsteps of Christine and her Queens.

Editorial: June 2017

OK, so I had a month off.

It's been a busy time for me away from writing about French music, and I thought this might be the best way to handle things. It seems to have worked.

I've missed spending the time writing here, and I've missed being across French music as much as I should have been, so I aim to get back to it with the kind of vigour that it deserves.

So this month marks the official return of the blog in a way. More than just a few posts at the beginning of the month or a scattered post or two, but hopefully back to full strength again.

And it's a good time to return.This month sees the festival season kick into high gear, with events in France as varied as Hellfest and We Love Green taking place, while French acts take to the stage at significant festivals here, with acts such as Justice and Phoenix playing Glastonbury later this month.

Elsewhere, Solidays and Main Square festival take place - two of France's biggests music events - along with smaller scale but equally interesting events including Papillons de Nuit and This is Not A Love Song in Nimes.

There's pretty much something on every weekend from now on over summer. We'll be across what's happening, and with more video than ever being made available, hopefully seeing more of the events than ever.

In the meantime, glad to say we are alive and kicking at

You can get a hold of me at johnkilbrideAThotmailDOTcom, with the appropriate punctuation where you'd expect it to be. I'm always pleased to hear from record companies, PR companies and promoters, so do get in touch. I'm always keen to hear new things, and relay information about acts I already know and love.

The blog is also on Twitter as @viveleroq or you can find me at @karnag

If you're around Facebook, remember to like the French Music Podcast UK page, where you can get regular updates with both fresh and vintage French music.

Merci et à bientôt

Friday, 14 April 2017

Printemps Solidaire

A worthwhile event in Paris this weekend, with the Printemps Solidaire event  taking place in the centre of Paris on Sunday April 16.

From 2pm, Place de l'étoile on the Champs-Elysées hosts 30 concerts across ten stages, with a diverse and impressive line up.

Headline acts include The Avener, Patrice and FFF. Elsewhere on the bill are the likes of Flavia Coelho and Gaspard Royant.

It's described as a "manifestation-concerts", organised by Solidarité Sida to draw attention to how international solidarity should be a key theme for the candidates in the presidential election.

They want the event to show optimism, generosity and brotherhood at a time when these seem to be missing.

Tuesday, 11 April 2017

Jane Birkin: Live on C à vous

Lovely to see Jane Birkin make a live appearance performing on French TV show C à vous at the end of last month.

She covers Gainsbourg's La Chanson de Prévert in an orchestral setting.

The new arrangement comes from her new album Birkin/Gainsbourg: le symphonique, featuring new versions of some of Gainsbourg's classics.

Some were songs originally performed by Birkin, some by Gainsbourg, others written by Gainsbourg for other artists. Some of the songs covered are better known than others, such as Requiem pour un con or Valse de Melody, while there are some lesser-known gems like Exercise en forme de z or Pull Marine.

His work always seems to work well when re-made in a new setting, whether the dub versions of his work that came out a few years ago or Birkin's Arabesque collection, which saw his work performed with a North African flavour.

All reflected well on the source material, the new settings opened them up to a new interpretation of the work.

I've found myself going back to work like the Gainsbourg dub collection and the Arabesque album repeatedly over the years since they came out. I reckon Birkin/Gainsbourg: le symphonique will also stand the test of time.

Birkin plays live in Paris on April 12 at the Auditorium de Radio France, with a show in Warsaw on April 19 and another in Monaco on May 11.

Julien Doré: Sublime & Silence

A session track by Julien Doré with a version of the song Sublime and Silence for the Belgian based site Bruxelles ma belle.

Julien Doré released his & album in autumn last year and has recemtly embarked on a massive arena tour of France and surrounding areas including three sold-out nights at the Zénith in Paris in May.

Doré has worked hard to establish himself as one of France's most interesting popular artists, from having won a TV talent show to going on to release a catalogue of material that sees him have little in common with the manufactured pop stars these shows produce. While astonishingly popular, he remains an interesting artist with a distinctive vision.

His & album continued to build on his artistic reputation, and his popularity saw it reach number one in the French charts, a higher position even than his 2013 L0ve album managed, even with its double platinum sales since its release.

He recently announced a final show of the tour at Bercy in Paris on December 15

Monday, 10 April 2017

Feist performs Leonard Cohen at Juno Awards

A wonderful and emotional perfomance by Feist at Canada's Juno Awards as she took to the stage with a version of Leonard Cohen's hey that aint no way to say goodbye.

The ceremony is the Canadian equivalent of the Brit Awards or the Grammys.

Cohen, who died in November, won the award for Album of the Year and Artist of the year, following the release of his final album, You want it darker.

Cohen is of course no stranger to the Juno awards, having won many through the course of his long career.

It was impressive to see Canada's prime minister take to the stage to pay tribute to Cohen, a man he knew personally.

Justin Trudeau, is such a natural on the stage that if the politics game fails to work out for him he could probably consider a career as a  TV presenter. Or perhaps not.

Deezer France April playlist

I came across a playlist for Deezer France compiled by RFI, with their favourites for April to enjoy. It's too good not to share.

It's a diverse bunch of tunes, covering quite a variety of genres and styles, from African sounds to chanson, pop to electro.

It's got a French flavour, but with the widest possible definition.

There are a few that you might be familiar with, alongside many that you won't have heard yet.

There are a few of this blog's favourites of the moment present as they should be, including Kid Francescoli, Jacques and Fishbach.

The playlist runs for just over two hours, so if you're looking for a solid soundtrack for your afternoon it's well worth some of your time.

Friday, 7 April 2017

BB Brunes: Eclair éclair

A return for French rock four piece BB Brunes, with the release of their new single Eclair éclair.

The track comes from the band's fourth album, which is due out in September 2017.

It follows the release of Long Courrier in 2012, which like their two previous albums a top ten hit in France and the song Coups et Blessures giving them a significant hit single.

Since then singer Adrien Gallo has embarked on a solo career with his album Gemini in 2014, and he's written songs for artists like Alizée, Vanessa Paradis and Yelle.

They're touring from early 2018 but have three shows lined up in Paris before then in September, where the band will play each of their previous three albums each night.

Les Vieilles Canailles: Vieille Canaille

If French radio station Radio Nostalgie created a supergroup, it would probably be a lot like Les Vieilles Canailles.

Featuring Johnny Hallyday, Jacques Dutronc and Eddy Mitchell, as heritage acts go, it's hard to imagine anything bigger for a French audience. Unless of course Renaud were to make it a four piece.

There's a massive market for this kind of thing in France as every sold-out arena and stadium date on every Johnny Hallyday tour testifies.

The trio originally came together under the Vieilles Canailles name for a series of concerts at Bercy in Paris in 2014, with a set list incorporating some of the biggests hits originally performed by each artist. Some songs they would all perform on, some would be duets and each had two solo numbers.

The new clip comes ahead of their summer tour, which sees the old rascals set out on a series of 17 shows in France, Switzerland and Belgium in June and July.

A gig at Bercy on June 24 has already sold out and a second show the following night has been added.

Thursday, 6 April 2017

Daprinski: Le Dernier Homme

A wonderful release by Daprinski, with the Serge Gainsbourg/Jean-Claude Vannier flavoured Le Dernier Homme featuring on his Chorégraphies de l'ordinaire debut album release.

The album came out at the end of March, following on from two previous releases, 2013's five track Le corps D'un homme and his George Michael single.

He makes a sophisticated sound, influenced deeply by the classics of French chanson but also with a flavour of American soul, a rich blend that feels new but is also steeped in the kind of classic material you've known and loved for years.

I know some might feel like it's a bit too close in style to that classic Gainsbourg sound, but let's not forget that for many Gainsbourg in the early to mid 70s was the very definition of classy French music, and for many of us outside France it was only a recent musical discovery. We're still catching up with a French style from decades ago, and we urgently need more of it for the 21st century. Daprinski sounds like the guy who's got what we are looking for.

There's a video for Le Dernier Homme due shortly. It's the kind of cinematic music that cries out for appropriate visuals. I'm looking forward to seeing what they come up with and hopefully posting it here.

Fishbach: Un Autre Que Moi

A new video by Fishbach, with a memorable and filmic clip for the track Un Autre Que Moi.

Fishbach is one of France's most acclaimed acts at the moment following the release of her À ta merci debut album earlier this year. Les Inrocks have described 25 year old Flora Fishbach as one of the heroes of the new French music scene

There's a nod to France Gall's '80s hit Ella elle l'a in this song, although there are darker undercurrents at work here. I've little doubt she's set to become the next significant artist to emerge from France.

She's on Disques Enterprise records, home to some of this blog's favourites including Bagarre, Grand Blanc and Moodoid.

There's a chance to see Fishbach live in the UK next month, as she plays alongside KillASon and Fauna Twin at Birthdays in Dalston on May 17, for the second club night organised by Oui Love.

She's also at the Great Escape festival in Brighton, a significant showcase for emerging talent hoping to make a mark on the UK market.

Fishbach also plays La Cigale in Paris on May 4 having sold out a show at the same venue in March.

Kid Francescoli: Les Vitrines

A new video by Kid Francescoli for the track Les Vitrines.

The features on the duo's Play me Again album and its a wonderful piece of sophisticated electro pop.

Their new album follows their 2013 collection With Julia, which first saw Mathieu Hocine from Marseille work with New York singer Julia Minkin.

I've featured Kid Francescoli a couple of times before on this blog, when their last album was released and when I saw them in Rennes in 2014 performing as part of the Bars en Trans festival at the 1988 Live Club with H Burns and Animali.

I described them at the time as "Effortlessly modern with the kind of electronics that French artists have always done so well" and it's great to see them live up to their promise and go on to well-deserved wider recognition.

Kid Francescoli have a bunch of live dates in their diary for the next few months, beginning with a show at the Printemps de Bourges festival later this month with dates until June and a show confirmed for le trianon in Paris in November.

Tuesday, 4 April 2017

Juliette Armanet: Monte le Son session featuring I feel it coming (The Weeknd cover)

A lovely 'VF' cover version of I feel it coming by The Weeknd by Juliette Armanet.

The song, the original of which was a massive hit in France as it was pretty much everywhere else,  takes on a laid back jazzy feel at her hands.

The performance comes from France 4's Monte le son TV show, where in the same session she also performs L’Amour en Solitaire and Alexandre.

 The original of I feel it coming was a collaboration with Daft Punk, from The Weeknd's Starboy album that was released last year. Daft Punk also collaborated on the album's title track, a US Billboard chart number one single.

Juliette Armanet releases her debut album, to be entitled  Petite Amie, on April 7.

Black M: Comme toi

A new song being promoted from Black M's Eternel insatisfait album, with the track Comme toi features a guest appearance by Shakira on the track and in the video.

Eternel insatisfait, the Sexion d'assaut member's second solo album which came out in October last year, has already been a massive seller reaching number two in the French charts.

The collection has already delivered a number of singles, including A l'Ouest from February last year up to the more recent French Kiss and the track Tout ce qu'il faut.

His 2014 debut solo album Les yeux plus grosse que le monde - a triple platinum seller- established him as one of France's biggest commercial rap stars.

Black M has live dates later this month with shows at arenas throughout France until May, and more shows later in the year including one at Bercy in Paris on December 2.

Editorial: April 2017

OK, so March wasn't the best month for this blog. Again, other important things imposed on my time
and attention. It's been quite a time, but hopefully things have settled into a new rhythm and we can get back to doing what we're best at here.

Apologies, again,  and thanks for sticking with us. 

March was a busy month for French music, with the release by Saez of his new triple (!) album a high point. I reckon Saez is one of the finest singer songwriters around at the moment, taking French chanson and rock to somewhere interesting. With this new collection and his Manifeste project his artistic ambition is at its peak. An early contender for album of the year.

His tour is  now under way and another album is scheduled for later this year.

Elsewhere, Frànçois and The Atlas Mountains have begun their tour in support of their Solide Mirage album, another very strong collection that goes some way to suggest 2017 will be every bit as significant a year for French music as 2016.

April also sees the Printemps de Bourges festival take place, marking the start of the French festival season with a bill that includes some well-selected established acts like Renaud and Placebo along with Frànçois and The Atlas Mountains, as well as some acts that are favourites of this blog including Barbagallo, Her and  Carpenter Brut.

You can get a hold of me at johnkilbrideAThotmailDOTcom, with the appropriate punctuation where you'd expect it to be. I'm always pleased to hear from record companies, PR companies and promoters, so do get in touch. I'm always keen to hear new things, and relay information about acts I already know and love.

The blog is also on Twitter as @viveleroq or you can find me at @karnag

If you're around Facebook, remember to like the French Music Podcast UK page, where you can get regular updates with both fresh and vintage French music.

Merci et à bientôt

John K

Thursday, 16 March 2017

Bon anniversaire - we are seven!

March 16, a full seven years ago, we began this blog. It's been quite a journey since then, with
 thousands of posts, some great tunes, videos and experiences.

So it's our birthday, but we're having a low-key one this year.  yeah, I know, Forgive us. Theres' a lot of other things going on that have been a distraction.

Maybe I'll blog about it, although perhaps better if I spare you.

In the meantime we'll hopefully have more posts before too long, however little we manage to post at the moment it's worth remembering that in our first year I only managed a total of 24 posts. Over the space of a whole year.

That's the kind of content I'd aim to do in a regular month. With the wind behind us, the amount we'd manage in a couple of weeks.

So bear with us during this quiet-ish time here. Thanks for dropping by and here's to the future.

Thursday, 9 March 2017

Oui Love club night in London

A chance to catch four great French acts live in London tonight, with Juveniles, Bantam Lyons,
Sônge and DBFC.

They feature in the first of the new Oui Love club nights at Birthdays in Dalston.

The show features a pretty fine cross section of fresh French talent: Parisian psych-tronica s DBFC, the R&B sounds of Sônge, 80s influenced synth pop from Juveniles and the indie rock of Bantam Lyons.

Oui Love is the new branding of the French Bureau Export in London, the good folks who work hard to promote some of France's finest acts in the UK.

The event's being held at Birthdays in Dalston 33-35 Stoke Newington Road, N16 8 and kicks off at 7.30pm.

Wednesday, 1 March 2017

Editorial: March 2017

 Can we forget February? Not been the best month for this blog by any means, but other important
things have been imposing on my time and attention.

Apologies, and thanks for sticking with us. Hopefully we'll have this sorted out before too long and we'll be back to business as usual.

March sees plenty of activity across French music world, with some excellent new releases and live activity.

Personally I'm waiting with impatience for the next release by Damien Saez, due out on March 10.

Three new tracks have already emerged, Bonnie, Rue d'la soif and an out take Château de brume.  His tour gets under way this month, following his shows at the Bataclan in December last year.

Elsewhere, a new title is on the horizon from the band Her, a release by La Terre Tremble and several others that we're looking forward to over the next few weeks.

Live, there are dates by Vitalic around the UK, a tour by Gojira around the country and Francois and the Atlas Mountain begin their tour at the end of the month.

Meanwhile, this blog marks its birthday this month. How many years have we been here...? Wow!

There's no shortage of things happening. Hopefully this time in around four weeks we'll be looking back at a full month wort of posts.

You can get a hold of me at johnkilbrideAThotmailDOTcom, with the appropriate punctuation where you'd expect it to be. I'm always pleased to hear from record companies, PR companies and promoters, so do get in touch. I'm always keen to hear new things, and relay information about acts I already know and love.

The blog is also on Twitter as @viveleroq or you can find me at @karnag

If you're around Facebook, remember to like the French Music Podcast UK page, where you can get regular updates with both fresh and vintage French music.

Merci et à bientôt

John K